BENJAMIN HEINE INTERVIEW WITH MARK PRIME…

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interview with Mark Prime by Ben Heine
 

“The idea of blogging to the powers that be
is terrifying and they’d love to control it”


 

Known as the “Poetryman”, Mark Prime is a prolific and talented American poet and Peace activist. He runs several blogs: "A Poetic Justice" (updated everyday, mainly with political poetry and illustrated with his own photomontages). He is also the head of other sites, such as "The Peace Tree" and "Poets for Peace". Sometimes he even writes plays, you can read his texts there: The Origin Theatre. You can reach him at prime63@cox.net.

BH: You are a prolific American poet and Peace activist. You are also a blog expert      and own several ones, including A Poetic Justice, The Origin Theatre, Poetic Justice Pictures, The Peace Tree, Poets for Peace…

MP: Prolific, perhaps in the since that I always have writers cramp. As for my myriad of blogs? I had to compartmentalize my various forms of expression for my own sanity and they each needed their own pages.  

BH: When and why did you start to open your first blogs?

MP: I first began blogging, as a commenter, when I happened upon a blog called Crooks and Liars during a search for crooks and liars and politicians. But I repeat myself…

I suppose I was a bit out of the loop since C&L had been around for some time before I found it, but once I began to comment, there and around the web, I was quickly caught up in the liberation of personal expression and exchange of ideas. It wasn’t long after that that someone recommended I begin writing my own blog. I’m not sure if it was someone concerned about the bandwidth I was using at C&L (knowing the best way to remedy this was for me to begin my own blog), or if one of the many blogging friends I had on the web recommended I do so, either way it worked out well for me.

I soon began to summon my muse, or perhaps she summoned me, three or four times a day and the rest, as they say, is… I suppose the fact that I was so upset by my government’s occupation of Iraq, and other policy matters, that I couldn’t stop blogging even if I had wanted to.

Protest poetry, anti-war plays, photomontage, and anti-war videos are the forms I use, with poetry being my main blog’s focus. I feel that the arts are the most vital forms of expression we have and we’d better use them while we can.

BH: Which audience does your site(s) target?

MP: Certainly it (they) targets and receives a more liberal audience, but I have had right, left, center, Christian right, Christian left, communist, socialist, atheist, agnostic, and a myriad of readers, that don’t seem to fit any political mold, pay my site(s) a visit or two. I like a diverse readership; it is, after all, the liberal way.

BH: Is it manageable, in terms of time and finances?

MP: The Blogger platform, there are many others out there, is free which is the only way I could manage to do this at this particular juncture in my life. As far as time is concerned; it is only manageable because I don’t get much sleep.

BH: Some of your blogs are collective sites (The Peace Tree, Poets for Peace); how do  you recruit members?

MP: I ask them via email to start, and always put it out there that I am open to contributions from any and all, as long as they match the sites intent of course. If they don’t, you may find me starting another blog so that they might have a home to express themselves.

I’ve stumbled upon some great talent by not closing myself off to a certain stripe or style. Just because I’m anti-occupation and a peace activist doesn’t mean that I should stop listening to any and all angles. It’s what an open-mind is supposed to do, right?

BH: Blogging about politics is a good way of taking part in the world’s affairs, which other advantages do you find in running a blog?

MP: The biggest benefit for me is the honing and use of my artistic expressions. It is a great release. Keeping these sorts of things bottled up inside might prove to be dangerous to one’s health. I also find that there are people out there, blogging or surfing the net, who will ask me questions and offer me stories that I might not hear were it not for my blog(s). I’ve heard and read so many points of view on any number of topics that I cannot help realize that this benefits me greatly. It gives me the chance to filter through emotions and points of view and allows me to see things more clearly by hearing the many voices around the globe. It’s not like talking to mere friends on any given day, with blogging I can converse and freely exchange ideas with people from any and every country on earth that is able to connect to the web… and freedom of expression and the exchange of ideas is never a bad thing, right?

BH: Have you been able to meet new people, poets, artists and peace activists through your blog activity?

MP: I’ve been introduced to artists of every stripe and variety. Blogging is a wonderful hodgepodge of people; idealists and realists, artists and non-artists, all coming together to express their ideas!

BH: Now a few questions on the digital divide: Although some analysts say they are mainly places for entertainment, do you think that the cybercafés (and the other public centers where a low cost Internet connection is available) are a good weapon against the digital divide in poorer countries?

MP: Without question. The mere fact that one has need to ask this indicates to me the enormous power within the question. Who gains from the free exchange of ideas?  The people, everywhere. Who has the most to lose? Those who try to control the switches, be it in DC or Israel or Russia or East Timor or Darfur. The idea of blogging to the powers that be is terrifying and they’d love to control it. We must never let that happen.

BH: Don’t you think that the Western political rhetoric about the digital divide is a kind of political slogan which purpose is to force the countries of the Global South to conform their economic system to the Western one, for example, by inciting them to buy the same Western software and hardware?

MP: Absolutely. The game is money (control) whether it be called “oil”, “software”, “automobile”, “hardware”, “class”, “race”, “sex”, “age”, “the flag”, “god”, etc. The dynamics of competition are always at play, and in many respects that is very unfortunate.

BH: We have recently heard about very cheap « generic » laptops being sold in Africa and in India. Do you think that the individual access to these computers and their potential Internet connection might be better to bridge the gap than collective access in public centers? Wouldn’t it be easier for peace activists in poorer countries to work individually with these cheap laptops rather than in public centres where they often sit next to people who have no specific militant mood?

MP: Another absolutely! I think if one has to be “herded” into a group setting to access what many carry with them every day that this may constitute oppression.

This idea, from Apple I believe, is one that offers a great many the opportunity to be heard. I mean it is a human, fundamental right, in my opinion, to be heard, to express yourself, to call out for help, to offer your ideas. What on earth could be more fundamental in this electronic age than the world coming together on the web? Might we then be less inclined to want to go to war and kill them or they us, and might they be more able to see that not all Americans, etc, think like Blair and Bush or Sharon or Ahmadinejad or Bin Laden, or “fill in the ruler”…?  

BH: My last question: How would you define the ideal digital society in a few words?

MP: Free.

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à Interview and portrait by Ben Heine

ÇIZGILERI GIBI KENDISI DE “ÇOCUK” ÇIZER: MISTIK

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ÞU FOTOÐRAFA BAKIP TA DUYGULANMAMAK MÜMKÜN MÜ? DOÐAN KARDEÞ’TE ONUN ÇÝZGÝLERÝYLE BÜYÜYEN KUÞAK OLARAK "NÝYE MISTIK’LA DAHA ÇOK HAÞIR NEÞIR OLAMADIK" DÝYE NE KADAR HAYIFLANMIÞIMDIR. EFLATUN NURÝ ÝLE BÝRARAYA GELÝÞLERÝNDE TATLI-SERT ÞAKALARINI, BÝRBÝRLERÝYLE ÇOCUKLAR GÝBÝ ATIÞMALARINA GÜLMEKTEN KATILDIÐIMIZ GÜNLERÝ UNUTMAK MÜMKÜN MÜ?
BÝR BÝR GÝDÝYOR USTALARIMIZ.. GERÝDE BELLEKLERDE ANILAR, SARARMIÞ FOTOÐRAFLAR.. YAZILAR.. ÇÝZÝLER.. ONLARCA.. YÜZLERCE.. KARÝKATÜRCÜLERÝN DUYGULARINI COSKUYLA KAÐIDA DÖKTÜÐÜ, KAÐITTAN GEMÝLER YAPTIÐI GÜNLER ÇOOK GERÝLERDE KALDI. USTA KARÝKATÜRCÜLERÝ KAPIÞAN BAB-I ALÝ’YÝ BÝR DÜÞÜNÜN GEÇMÝÞE UZANIP.. CAÐALOÐLU YOKUÞUNU ÇIKARKEN BÝR ELÝNÝZ AZÝZ NESÝN’E BÝR ELÝNÝZ ALÝ ULVÝ’YE ÇARPARKEN, ÞÝMDÝLERDE ELLERÝNÝZ YA NAKÞÝBENDÝ’YE, YA FETULLAHÇI’YA, YA  NURCU’YA ÇARPIYOR. KARÝKATÜRCÜLER ARTIK EL ÜSTÜNDE DEÐÝL, KAPI ÖNÜNDE TUTULUYOR. BAÞBAKANININ DAVA ÜSTÜNE DAVA AÇTIÐI BÝR ÜLKENÝN GAZETE SAHÝPLERÝNDEN EL ÝNSAF BEKLEMEK ZATEN NE DERECE DOÐRU KÝ?!..
SUAVÝ SÜALP.. ALÝ ULVÝ.. NECMÝ RIZA AYÇA.. FERRUH DOÐAN.. MISTIK.. ZEKÝ BEYNER.. OÐUZ ARAL.. SEMÝH BALCIOÐLU VE GENCECÝK YAÞTA ARAMIZDAN AYRILAN SEVGÝLÝ NECATÝ ABACI.. HEMEN HEPÝNÝZLE YAKINDAN TANIÞMIÞ, AYNI MAHALLEDE OTURMUÞ, AYNI DERGÝDE ÇALIÞMIÞ BÝR ÝNSAN OLARAK NE KADAR ÞANSLIYIM.. AMA BÝLMENÝZÝ ÝSTERÝM KÝ, SÝZSÝZ MÝZAH DÜNYASININ HÝÇ TADI TUZU KALMADI.. SÝZLERDEN GERÝYE KALAN,  SARARMIÞ KAÐITLARDA DONMUÞ ZAMANLARDAN VE ÖLÜMSÜZ ÇÝZGÝLERÝNÝZDEN BAÞKA…   E.K.

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(fotograf: çerkez karadað, yollayan: erdoðan oruç)

“DIGITAL CARTOON” POLL IN “YES” OR “NO”…

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hello my dear freind
thanks for your aidea
‘YES’

Amin Roshanpour

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I am glad to here it.
Thank you

Pavel Taussig

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Yes,yes,yes !

Dilyan Dochev-DiL

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Hello,
every idiot in this world can draw by computer ( in fact the most part voted YES ).
I spent my life studying about pencils and colours.   An artist is so called when can create something … if the artist is the computer, something is going wrong in your head.
 Anyway, if you think that a computer graphic is art, please remopve my name from your list.
Best Regards,

Roberto Mangosi.

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Hello Erdoðan:
Yes, of course digital art should be allowed.
Great site — I enjoyed the cartoons and art even though I can’t understand the words. . .
I’ll be watching.

Ron Hill

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I vote YES, brother.
🙂

Carlos Latuff

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THANK YOU ERDOGAN KARAYEL
FOR YOUR EMAIL INVESTIGATION

RAQUEL ORZUJ-URUGUAY

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Thank you Er,
very interesting news!

Benjamin Heine

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YES, YES, YES !!!
The digital caricature must have resolution 300 dpi or more at size A4 (21 X 30 cm) or more.
NO need to send the caricature on paper. NO paper !!!
Best regards,

Nicolae IONITA

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I have published the results of your survey
on the FECO website (yesterday)
Warm Regards,

Bernard Bouton

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Sevgili Erdogan Bey

Herseyden once yaptigin cok faydali anket icin seni candan tebrik ederim.
Sonucunu cok normal karsiliyor ve herseyde oldugu gibi ,"
nehir hicbir zaman geri donmez ! " sozunun dogrulandigini ,
dunyamizin ileriye dogru yoluna devam ettigini goruyorum !
Selamlar , sevgiler

Tanas

“DON KÝÞOT’UN ARKADAÞLARI” DERNEÐÝ.. “FRIENDS OF DON QUICHOTTE CLUB…

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“DON KÝÞOT’UN ARKADAÞLARI”  DERNEÐÝ KURULDU

11 Temmuz 2007 Çarþamba günü saat 20.00’de DTC (Deutsch-Türkisches Business Center) konferans salonunda toplanan mizahseverler, genel yayýn yönetmenliðini Erdoðan Karayel’in yaptýðý Türkce-Almanca Mizah Dergisi Don Quichotte’un etkinliklerini yaþatmak ve desteklemek amacýyla “Die Freunde von Don Quichotte” (Don Kiþot’un arkadaþlarý) adýnda bir dernek kurdular.
Merkezi Stuttgart’ta DTC (Alman-Türk Ýþ Merkezi) bulunan derneðin üç ana amacý bulunuyor.

1)    Gençlere, çocuklara karikatürü tanýtacak ve yaygýnlaþtýracak “Karikatür Kurslarý” açmak,
2)    Bir yýldýr yayýnlanamayan ancak internet üzerinden etkinliklerine devam eden Don Quichotte dergisinin her ay düzenli yayýnlanabilmesini saðlamak,
3)    Don Quichotte dergisinin düzenlediði uluslar arasý yarýþma ve sergilerin deðiþik ülke ve þehirlerde düzenli açýlmasýný saðlamak.

Bu amaçlarýn oluþabilmesi için gerekli olan finansal desteklerin özel kurumlardan, belediyelerden ve özellikle “Avrupa Birliði” destek fonu’ndan yararlanabilmesi yönünde çalýþacak olan derneðin yönetim kurulu Alman ve Türk mizahseverlerden oluþuyor.
Divan Baþkanlýðýný Ersin Uðursal’ýn, divan sekreterliðini gazeteci Iþýn Sigel (Greiner)’in yaptýðý toplantýda kurucu üyeler arasýndan belirlenen yönetim kurulu þöyle oluþtu:

Yönetim Kurulu (Asil)
1)    Jürgen Sigel (Baþkan)
2)    Nesrin Gelberi (2. Baþkan)
3)    Varujan Hanamirian (Yazman)
4)    Afitap Karayel (Sayman)
5)    Detlef Nowack (Üye)

Yönetim Kurulu (Yedek)
1)    Ersin Uðursal
2)    Iþýn Sigel (Greiner)
3)    Oya Sakarya

Denetleme Kurulu
1)    Dr. Ahmet Ertekin
2)    Hacer Þirin

Derneðin kurucu üyeleri arasýnda (prosedür gereði yönetim kurulunda yer almayan) Erdoðan Karayel’in yanýsýra Marlene Pohle, Ahmet Gül, Nevzat Tekin, Ali Ýçer, Sönmez Parmak, Korkut Bortecene ve Erdem Öztopal da bulunuyor.

"FRIEND’S OF DON QUICHOTTE” CLUB

“Friend’s of Don Quichotte” club has been set up.  The club  intends to keep the Don Quichotte magazine alive, to find finances, grants for it’s activities such as cartoon contests etc…
The club will also  try  to publish the magazine regularly and to exhibit it’s cartoon contests
in many countries possible .
Meanwhile one of the first targets of the club is to open a Cartoon School. The club’s head office is in Stuggart, Germany and the management committee members are:

Management Committee (Main)
1) Jürgen Sigel (Director)
2) Nesrin Gelberi (2. Director)
3) Varujan Hanamirian (Secretary)
4) Afitap Karayel (Finance)
5) Detlef Nowack (Member)

Management Committee (Stand by)
1) Ersin Ugursal
2) Isin Sigel (Greiner)
3) Oya Sakarya

Auditing Committee
1) Dr. Ahmet Ertekin
2) Hacer Sirin

Erdogan Karayel, Marlene Pohle, Ahmet Gül, Nevzat Tekin, Sönmez Parmak, Ali Ýçer, Korkut Boertecene, Erdem Öztopal are also amongst the founders of the Club.

“DIGITAL CARTOON” POLL IN “YES” OR “NO”…

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DIGITAL KARÝKATÜR’E “EVET” VEYA “HAYIR!”

Uluslar arasý Karikatür Yarýþmalarý’nda “Orijinal” karikatürlerin yaný sýra “Dijital Karikatür” ün de geçerli olabilmesi için baþlattýðýmýz anketimiz sona erdi. Bir ayý aþkýn zamandýr sürdürdüðümüz ankete toplam 700 çizer ve mizahsever katýldý. 34 gün süren anketin sonuçlarý þöyle belirlendi:

 “EVET” diyenler: 519 kiþi (%74,1)

“HAYIR” diyenler: 181 kiþi (%25,9)

Anket sonucundan da anlaþýldýðý gibi, “dijital karikatür” e ezici bir çoðunluk “evet” oyu ile destek verdi. Öncelikle belirtmemiz gerekir ki, bu anketi düzenlemekteki amacýmýz; karikatür sanatýný yaygýnlaþtýrmak, yarýþmalarýn daha üretken, kaliteli, katýlýmcý açýsýndan da ucuz ve pratik olmasýný saðlamaktýr.

Unutmayalým ki, karikatür önce beyinde çizilir, sonra kaðýda aktarýlýr. Bu teknik aþamada suluboya, yaglýboya veya diðer tekniklerin photoshop tekniðinden farký olmamasý gerekir. Anket sonucunun, bundan böyle düzenlenecek uluslar arasý yarýþmalarda bir “yönlendirici” unsur olmasýný diliyoruz.

Anketimize katýlan tüm çizerlere ve mizahseverlere “Karikatür” adýna teþekkür ediyoruz.

 

Erdoðan Karayel
www.donquichotte.org

 

DIGITAL CARTOONS: “YES” or “NO”

Our survey on whether “Digital Caricatures” along with the “Traditional” ones should be qualified to enter International Caricature Competition has yielded promising results. The survey, which stayed online for more than a month, drew the attention of 700 artists and fans of humor. Here is the outcome of the 34-day survey:

“YES” : 519 (74.1%)

“NO”: 181 (25.9%)

As the result above clearly shows, an overwhelming majority supported the “Digital Caricature” novelty. Our prime objective in putting up this survey was to help summon greater interest in the art of caricature and to pave the path for more proficient competitions of higher quality while proposing a practical scheme requiring less expenditure for attendants.

Let us not forget that a caricature first of all forms in one’s mind and then is transferred onto the paper. At the end of the technical phase, there should exist no discrepancies between caricatures drawn by means of watercolor and the likes and photoshop. We wish that the outcome of our survey has a pioneering appeal for competitions to be organized in the future. We also wish to thank the artists and fans who attended to our survey, in the name of the art of  “Caricature.”

 

Erdoðan Karayel
www.donquichotte.org

KÜRSAT COSGUN’DAN BIR SÜRPRIZ…

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90’larýn sonlarýnda Istanbul’da bir sahaftan aldýðým Akbaba dergilerinin içinden hoþ bir sürpriz çýktý. Türk karikatürünün öncü çizerlerinden biri olan Orhan Ural, yine karikatürümüzün duayenlerinden Necmi Rýza’nýn portresini çizmiþ.

Portre, Necmi Rýza’nýn görünümünden ve elindeki papaðandan anlaþýldýðýna göre (Necmi Rýza bir dönem Papaðan adlý bir mizah dergisi çýkarýyordu) 60’lý yýllara ait. Orijinali elimde bulunan bu portreyi dostlarla paylaþýrken, bugün aramýzda olmayan her iki ustayý da sevgi ve saygýyla anmak istedim.

Kürþat Coþgun

http://kursatcosgun.blogcu.com/

 

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