19Th CARTOONRENDON INTERNATIONAL FESTIVAL COLOMBIA 2012

19Th CARTOONRENDON INTERNATIONAL FESTIVAL COLOMBIA 2012


RICARDO RENDÓN
The Outstanding Colombian caricaturist born in Rionegro – Antioquia (1894-1931), call "The Emperor" of the Cartoon. One of the most penetrating and fine Latin American humorists in the XX century, in their work the humor was satire, it was characterized especially by the political cartoon. Their cartoons were true x-rays of the facts and of the individuals. It was pioneer of the graphic publicity in Colombia.


19Th INTERNATIONAL CARTOON RENDON FESTIVAL 2012


The Festival is an event sponsored by the municipal administration of Rionegro during eighteen serial years in memory of Ricardo Rendón Bravo.
The Festival, only in the history of the country for their trajectory and continuity; he has allowed to look at the perception of authors of but of 85 countries, main characters of the changes and experiences of the towns that contribute to the humanity’s growth with the same humour. The laughing thought and its universal language, caricature is the most effective weapon against the thought that does not laugh.
It is a dream and an universal yearning to erase frontiers so territorial as ideological that prevent us to live in harmony and to visualize the light of the freedom as principle of peace and coexistence.


The Conditions :


1) The contest is open to all cartoonists all over the world.
2) The deadline for entries is November 3 (Saturday) – 2012
3) The themes of the competition are Three:
Theme 1. WOMAN, Woman in the satirical presentation, modern and fashionable,
joyful and upset; a wife, mother or friend, woman the house, professional or just the
woman…
2. FAMOUS WOMEN: Outstanding Women in world history,
3. DÉBORA ARANGO: Artist Colombian See Biography www.cartoonrendon.com
4. Free.
4) Each participant can present in the competition a maximum of Three cartoons for theme.
5) You can participate with cartoons in white and black or in color.
6) The size of cartoons will not exceed 30 x 40 cms maximum.
7) You can also participate in the competition with cartoons that have already been published or rewarded previously, all the presented cartoons will be original. Photographs, photocopies etc, will not be accepted, and the transport of the cartoons in charge of the participant.
8) Participants are requested to send, together with their cartoons, a short curriculum vitae and a photograph.
9) In the reverse of each cartoon he/she should go the name, surname, address, telephone number and country of origin of the participant.
10) The selected Caricaturist will receive free a catalogue.
11) The jury composed of Colombian and foreign cartoonists.
12) The results will be announced in the month of December of 2012.


13) The cartoons presented in the competition won’t be returned.
14) By filling in the entrance form attached, the participant declares and accepts in advance that (s)he has turned over the financial rights (s)he holds over the cartoon or cartoons vis-à-vis the public to Cartoonrendon without limitation on location, time period and number the intellectual property all rights for publication.(S)he agrees that Cartoonrendon may use such cartoons, exhibit them, keep them in its archives and publish them on the internet or through other media.
15) The organization is reserved the right of exhibiting those works that he/she understands they can attempt against individual or collective rights.
16) The Participation in the competition supposes the entire acceptance and without reservations all the conditions.


The Prizes :


1° Grand Prix Theme " WOMAN" US 2.000
2° Prize Theme "FAMOUS WOMEN" US 500
3° Prize Theme " DÉBORA ARANGO PÉREZ" US 500
4º Prize Theme FREE US 500
Special Prizes offered by various institutions.


Address :


The works should be sent to:
19° FESTIVAL INTERNACIONAL DE CARICATURA CARTOONRENDON
Fernando Pica / Centro Cultural Cr 50 # 48 – 05, Rionegro, Antioquia COLOMBIA
www.cartoonrendon.com
info@cartoonrendon.com


WORLD CARTOONISTS…

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"MIGRATION" EXHIBITION IN NEU-ULM/GERMANY
"GÖC" KARIKATÜR SERGISI ALMANYA’DA NEU-ULM KENTINDE…

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Erdogan Karayel and Don Quichotte

How would you like to follow troubling world events through a monthly humor magazine where cartoonists of various ethnicities, religions and languages tilt at windmills?

The adventures of "Don Quichotte" started two years ago as a rnonthly humor magazine based in Stuttgart. Cartoonist Erdoðan Karayel, who moved to Germany five years ago, created the bilingual Don Quichotte with idea of introducing German humor to Turks in Germany and Turkish humor to Germans. "Don Quichotte is different from other cartoon magazines like Penguen or Girgir in Turkey," he say s. "It’s based on drawings and it aims for a universal appeal."
The first issue of Don Quichotte (DQ) came out as a gift to honor the respected cartoonist Oðuz Aral on the 55th anniversary of his art career. Karayel is among Aral’s first students. Though he learned under Aral’s wing, Karayel leaned t o vvar ds a line outside the dassical Girgir. He preferred cartoons vvithout the talking balloons; a universally understandable style was what appealed to him. "But then contests were the only platforms available for such a style/ he says. "We made money by doing what we thought was wrong, and won awards for what vve knew to be right."
Though two years old, the nominally monthly Don Quichotte so far has only 10 printed issues but has enough cartoons on its website to be a political daily humor magazine. Don Quichotte’s initial aim of introducing the humor of two communities to each another took on a very different form with the opportunities available through the Internet. Given cartoons’ universal style, it wasn’t limited to the boundaries of a single country.

Migrant cartoonists of the world, ünite!

Starting to reach the cartoonists around the world, Karayel thought, "Why can’t Don Quichotte be the magazine of ali migrant cartoonists, a platform that brings together the cartoonists who end up spending their lives in foreign countries?" For a while, Don Quichotte did become a platform of migrant cartoonists, yet it soon attained another distinguishing aspect. That is, to ünite cartoonists around the world on specific issues occupying the world stage. For instance in light of the recent Israeli military operations in Lebanon, the magazine’s website has been showing cartoons on war which will see print in the next issue.

Who is this Turk, anyway?

One of the previous features of DQ was entitled "Turkey-European Union/’ which came out when heated negotiations över Turkey’s candidacy for EU membership were underway. DQ received dose to 500 cartoons from över 30 countries on the subject. Karayel says that they stumbled on an interesting fact: "We saw that world cartoonists stili don’t know Turkey or know it only within a certain framework. Almost half the cartoons showed Turks wearing fezzes and dressed in Ottoman dothes. We didn’t simply say, ‘This isnt how Turks look’ and toss them aside. Our international jury gave half the awards to the cartoons where Turks look like Ottomans, because we decided that the issue needs be addressed. Either Turks aren’t able to present themselves properly, or we’re indeed like this and should no longer fool ourselves." From the Turkey-EU feature emerged DQ’s first exhibit that pointed to Turkey’s location in the current world through the eyes of international cartoonists. The exhibit visited a number of cities in Germany and several venues in istanbul.

Once upon a time in Nawlins

Don Quichotte’s next feature was on Hurricane Kat rina. With a cali made via the Internet, DQ got cartoons from around 30 countries and displayed these works in an exhibit called "Once Upon a Time in New Orleans." "Our aim is to of fer a social critique of the issue at hand," says Karayel. "Eighty percent of the cartoons we got criticized the Bush administration’s one-sided attitude towards the New Orleans residents, most of whom were African Americans with little or no financial means. These were cries in drawings depicting the discrimination and the fact that these people were abandoned to their fate."
Then Karayel asked world cartoonists for portraits of famed Turkish poet Nazim Hikmet. "Cartoonists from 21 countries drew the Nazim whom they didn’t know; we gave only brief information on Hikmet on our website," he says. "Nazim figures by Uzbek and Afghan cartoonists are etched in my memory as they showed Nazim as one of their own, looking and dressing like them. A poet vvho on paper has no citizenship suddenly had dozens of homelands, and became a citizen of 21 countries." The exhibit of these cartoons opened at the Nazim Hikmet Culture Center on the anniversary of his death.
Besides the main features, the magazine has a "Humor in the World" series that introduces cartoonists and humor from different countries.

Cartoons aim to attack, not insult

DQ calls for cartoons on a specific subject every two or three months, which is about the time it takes to bring together world cartoonists around an issue such as the bird flu epidemic, which was also covered by the magazine. The next issue Don Quichotte tackled was again a subject that created violent reactions around the world, namely the Muhammed cartoons from Denmark. Karayel set up a specific platform to see the response of world cartoonists on the issue. "The cartoons we got showed that cartoonists believe that they can and should draw on every issue, that satire and criticism is the very aim of this art form. It aims to attack. Like a Don Quichotte, it should attack ali things wrong and ugly. However, the cartoonists reacted very negatively to the Muhammed drawings; they found the act to be wrong. These were recognized as an insult, disrespect to a whole society."
Some of the cartoonists even suggested, "Is it then okay to draw the Virgin Mary as a prostitute; could Jesus or Moses be insulted like this too?" Karayel says that the general sentiment of the cartoons reacting to the Danish ones was to leave these issues aside. "Perhaps Christian society is more tolerant, but the conservatism surrounding Jesus and Mary has been upheld to this day. Would they tolerate if the same was done to them?" The cartoons DQ received underlined that these depictions gave birth to further violence.

Seeking sponsors

Karayel describes Don Quichotte as a universal magazine opposed to ali conservatism. "We’re not a tool of any political ideology, instead we’re on the side only of the weak and the right," says Karayel and makes note of a problem they are struggling vvith. "Printing costs are very low, but it’s hard to find sponsors because people hesitate, thinking we may criticize them also." He also says that they had to dedine certain companies’ sponsorships because Don Quichotte refuses ali censorship.
As a professional who worked in advertising for 28 years, Karayel says that being a cartoonist is no way to make money. Yet being a Don Quichotte in the 2Ýst century is a costly endeavor that requires a bit of craziness. Karayel wanted to dedicate the third issue to Oðuz Aral and Necati Abaci, who passed away two days apart from one another. "Their lines had to be on the cover of that issue," he says. "So I sold my car that day and printed DQ, though I couldn’t qo to their funerals."
DQ is in contact with around 1,500 cartoonists worldwide. "Don Quichotte is unprecedented in this respect as well," Karayel says. "Our contributors don’t askfor copyright fees, not even for their exhibited works, which is a majör act of solidarity."
This shows their lack of greed and commitment to the world issues irrespective of borders, says Karayel. "The only compensation they really want is to be published where their lines can be seen and shared, which is a great pleasure. I have thousands of cartoons published but stili each time it’s in print I’m the first to get the issue in my hands."
When Don Quichotte manages to find sufficient sponsorship, the next step will be to introduce English to the now-bilingual magazine.

Cleaning the world with cartoons

By the end of the first week of the Israeli attacks on Lebanon, Karayel issued a cali for cartoons protesting the war. The online "No War" exhibit received around 500 cartoons from around the world. Karayel says that news of the show was covered by ali European editions of Turkish newspapers but there was no mention of it in Turkey. A selection of these cartoons was also exhibited on the streets of Ortaköy during the antiwar protest of shop owners and workers who dosed down their shops for an hour. Karayel expresses his surprise at the fact that again only a few papers covered this news.
Karayel says that Turkey is unfortunately not alone in insufficient coverage of antiwar protests in Europe. "Except for a few newspapers, the campaign of world cartoonists wasn’t covered by the German press either," he observes. "It seems unbelievable, but what is there not to believe? There’s a lot of profit to be made from the war business. The rockets raining down on women and children in Lebanon say ‘Made in Germany, France or Britain.’ The world is getting dirtier every day and vve the cartoonists want to dean it with our lines and drawings."

Daily humor magazine online

DQ has reached a mission and status that is quite different from its starting point. "Right now Don Quichotte is like an international online daily humor magazine," says Karayel. "Each month vve receive enough material to publish five magazines, but without more funding we can’t be in print regularly."
A graphic artist by profession, Karayel admits that working to produce Don Quichotte on his own, every day, is a great financial strain, yet says that the support it gets gives an incomparable pleasure. "The greatest cartoonists of the world, and cartoonist groups, tookpart in our antiwar campaign instead of starting another platform on other sites. Thus the movement multiplied; on my own I couldn’t have collected nearly 500 cartoons in just two weeks."

The magazine’s audience

Karayel says that 80 percent of their online visitors are cartoonists. "With a sponsor, we can print 2,000-2,500 copies and reach our audience, which is the intelligentsia of society." Initially Karayel thought of reaching the people on the street in Germany, which he describes as a country of migrants, but later gave up on that. "There’s no cartoon-reading habit in Germany, not like in Turkey," he says. "There are only a few humor magazines and these are very political." The understanding of humor in Germany is also very different, Karayel daims. "Germans have a saying, ‘Go to the pantry to laugh,’ which our initial slogan when starting this magazine played on. We said, ‘We’ll save you the trouble of going to the pantry’."


(www. donquichotte. org)


WORLD CARTOONISTS…

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CHANCE AS A RESULT OF THE "NASREDDIN HODJA" CONTEST!
"!NASREDDIN HOCA" KARÝKATÜR YARISMASI SONUCLARINDA DEGISIKLIK!!


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"JOHNNY DEEP" PORTRAIT
ALIREZA PAKDEL

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MURAT AHMETI

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OMAR TURCIOS

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"GULRIZ SURURI" PORTRAIT
NECATI ABACI

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"GÜNGÖR KABAKCIOGLU" PORTRAIT
HAYATI BOYACIOGLU

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ASKIN AYRANCIOGLU

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AMORIM

WORLD CARTOONISTS…

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BUGÜN 9 EYLÜL..
IZMIR’IN DÜSMAN ISGALINDEN KURTULUSUNUN 90. YILI..

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ERDOGAN KARAYEL’IN BU CALISMASI
FACEBOOK’TA 3.007 TIKLAMA VE 8.236 PAYLASMA ILE REKOR KIRIYOR…

https://www.facebook.com/erdogan.karayel/posts/113187142164522?notif_t=share_comment#!/photo.php?fbid=337066362983821&set=a.337066346317156.86725.134268519930274&type=1&theater

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diktatorlerin veya iktidarlarin omru nedir ki?!
bir kivilcima bakar…
bunu yapacak olan halkin kendisidir..
bu gucunun farkinda olmayan bir toplum
yuzyillar boyu ezilmeye mahkumdur..

***

türkiye gündemine iliskin sesli dusunmeler..
(facebook paylasim ortamindan alinmistir)

simdi size sorsam turkiye’de muhalif tv kanali var mi diye..
ya ulusal tv dersiniz.. kanal b, biz tv ya da art tv …
bence en az bunlar kadar muhalif bir kanal daha var:
CNN TURK!!!..
sasirdiniz degil mi?!..
– cunku ne zamandir bakiyorum diger kanallar RTE’nin canli konusmalarinin
tamamini veriyorken CNN TURK istedigi anda kesebiliyor..
– bazi programlarda veya haber bultenlerinde iktidari elestiren bir uslup kullaniliyor..
– ornegin bugun cuneyt ozdemir konuktu cnn turk’te basak sengul’un konugu olarak..
cok agir seyler soyledi cuneyt.. hatta "biliyorum basbakan beni sevmez..
bu konusmalarim da hosuna gitmeyecektir" diyerek afyon’da olen
25 genc icin oldukca agir cumleler kullandi..
hatta bir ara o kadar duygusal bir an geldi ki her ikisi de
duygularina hakim olamayip agladilar..
– bir ornek de ahmet hakan..
programlarinda RTE’a ve AKP’ye oldukca agir elestiriler yoneltiliyor..
– baska bir ornek aysenur arslan’in "medya mahallesi"..
bu programda da muhalif konuklar davet ediliyor..
hatta bunlardan biri de esber yagmurdereli’ydi..
son ornek de gazeteci enver aysever’in "aykiri sorular" programini ornek vereyim..
yine cnn turk kanalindan.. sondan bir onceki programda ataol behramoglu ve
ugur mumcu’nun kizi ozge mumcu konuktu..
ozellikle ataol behramoglu’nun aciklamalari o
nemliydi. gunumuz gerceklerini "vicdan" kavramiyla sorgulamasi oldukca etkileyici geldi.
yavas yavas "vicdansiz" bir topluma yoneldigimiz uyarisini yapti..
ki cok da hakli..
iktidara karsi tek muhalefet o’nun da dedigi gibi SOSYAL MEDYA’da…
eger orada da sesimiz kesiliyorsa durum gercekten vahim!!..
ve daha aklima simdi gelmeyen bir cok program ve konuk…..
simdi diyeceksiniz ki "ama CNN TURK amerika’nin sesi!"
hah iste "zurnanin zart deligi de tam orasi!"…
bir ulke nasil bolunur? konusunda dunyadaki tek uzman ulke ABD.
kapitalizmin, emperyalizmin "bol-parcala-yonet" politikalarini
bu ulkeden daha iyi yapan ve uygulayan baska bir ulke daha yok!..
– yanlis istihbarat veren veya vermeyen!..
– provokasyonlari son derece profesyonelce yapan..
– dunyada cikari olan veya olabilecek her ulke topraginda tum lojistik ve
stratejik noktalari her ne pahasina olursa olsun elde eden..
– bu ugurda kendi ulke insaninin canini bile hice sayan (afganistan ve
irak savasinda olen binlerce abd askeri, ikiz kulelerde canlarini yitiren 3 bine yakin kisi…)
abd, taseronlugunu bize yaptirdigi "buyuk ortadogu projesi" icin hic birseyden kacinmiyor.
hala netlige kavusmayan suriye sinirlari icinde dusurulen turk jeti,
hatay ve cevre illerde suriye karsiti silahlanmaya yonelik ozel kamplar..
olasi yanlis istihbaratla sinirda oldurulen siviller.. ve daha neler..
….
yani ABD diyor ki; "sizde olmayan muhalefeti bile ben yaparim!" onun icindir,
muhalif sesleri ozellikle cnn turk’te konusturuyor.. aslinda iyi bir mesaj bizlere..
oyle demokrat davraniyorlar ki; hem dostumuz hem dusmanimiz oluyorlar.
yani bu konuda haklarini yemeyelim. hic degilse yabanciya yem etmiyorlar bizi…
….
bunlar sesli dusunmeler..
sessiz cizgilerimin disindakiler..

erdogan karayel

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ARES

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ANGEL BOLIGAN

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"STANLEY KUBRICK" PORTRAIT
ALIREZA PAKDEL

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HANDREN KHOSNAW

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HAYATI BOYACIOGLU

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GÜRBÜZ DOGAN EKSIOGLU

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CARTOONS: ERDOGAN KARAYEL

..ne zaman ki sehitlerin anne-babalari aglamayacak..
hesap soracak..
iktidardan.. ordu’dan.. toplumdan..
ancak o zaman bu gencecik bedenler topraga girmeyecek..

neden 25 askerin gecenin onunda sayim (!) yaptiginin..
neden sinir karakollarina "tabutluk" denildiginin..
neden ayni topraklarda birlik ve baris icinde
yasanamadiginin..
neden her hafta onlarca askerin oldurulmesinin kaniksandiginin..
neden kendi ulkemizde misafir (!) oldugumuzun..
ve akliniza gelen tum "neden"lerin..
hesabini sorun!…
….
tabii once kendinizden baslayarak…

 

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HAYATI BOYACIOGLU

 

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DARKO DRLJEVIC

 

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"MARLON BRANDO" PORTRAIT

ALIREZA PAKDEL

 

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MURAT AHMETI

 

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OLEG DERGACHOV

 

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EMRE YILMAZ

 

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JITET KOESTANA

 

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ISMAIL DOGAN

 

 

DUTCH CARTOON FESTIVAL 2012

DUTCH CARTOON FESTIVAL 2012

REGULATIONS:

1.PARTICIPANTS Cartoonists from all over the world.
2.NUMBER OF ENTRIES A maximum of 8 cartoons from each participant is permitted.
Originals as well as computer prints, screen prints or good quality copies are welcome.
Originals will be sent back on request.
3.DIMENSIONS Max A4. Each entry must state on the verso of the drawing, the name
and address of the cartoonist
4.THEME "Prejudges & Stereotypes"
5.DEADLINE Monday December 24, 2012
6.ADDRESS 18th DUTCH CARTOONFESTIVAL, BOX 2180, 1180 ED AMSTELVEEN,
THE NETHERLANDS
7.THE PRIZES First Prize: € 1000 + trophy, Second Prize: € 750 + trophy, Third Prize:
€ 500 + trophy, FECO Award: € 250 + trophy, TULIP Award: € 250 + trophy, KEVER Award:
€ 250 + trophy, 4 Special Mentions: diploma/certificate, Markiezen Medal 2013
Travel expense and hotel stay for prize-winners will be paid by the organisers
8.CARTOON BOOK All cartoonists whose work(s) have been selected for the exhibition will receive a
free sample of the catalogue, maximum four months after the closing date of the exhibition. They can
also collect their books during the exhibition period
9.COPYRIGHT By participating the cartoonists confer the right on the organizers to publish the se-
lected works during and after the exhibition, for no other purpose than the promotion of the cartoonist
and the Dutch Cartoon Festival. The copyright of the works remain always to the cartoonists.
10.INSURANCE The works received will be insured by the organizers, equal to the value indicated
by the cartoonist on the entry-form. If the value of the cartoon is not indicated, the works will be
insured for € 50 Euro each

AXIÁL International Cartoon Contest 2012

AXIÁL International Cartoon Contest 2012


Theme: Machines in agriculture, construction and warehousing

The Baja based AXIÁL Ltd. -a retailer for agricultural, construction and warehousing machines – calls for an International Cartoon Contest.
The brands marketed in Hungary by the company: Agrifac, Annaburger, Budissa Bag, Framest, Berthoud, Gregoire Besson, Horsch, Hyundai, Gehl, Supertino, Sulky, CLAAS, Tume, Monosem, Oehler, Romill, Fendt, Manitou, Landini, OMG, CLM, Arcusin, Supertino, Hidromek and RMH.

All entries must feature a machine marketed by AXIÁL Ltd. (see above). You can choose whichever you want: a tractor, an earth mover, a fork lift or other.
These machines can be viewed at www.axial.hu !
Apart from the one condition above, you can unleash your imagination! The world of work in agriculture, the construction industry or warehouses must give you plenty of ideas!

1.) The contest is open to all -amateur or professional – participants above the age of 18. Participants can enter maximum three works in A4 and/or A3 size. There are no technical constraints regarding the technique.

2.) Entries can be sent via post or e-mail to the organiser of the contest. (jpg; A/4; 300DPI; good or excellent quality)
– e-mail address: grafikuskelemen@gmail.com
– Postal address: Kelemen István, HUNGARY 6500 Baja, Bajza J. u. 19.

3.) Deadline for receiving entries: 27th, August, 2012.

4.) The jury will decide on 31st August, 2012. The jury’s decision is not negotiable!

5.) A catalogue will be compiled from the selected cartoons, which will be sent to the participants concerned by 31st, November, 2012.

6.) Prizes:
I. net HUF 150,000
II. net HUF 100,000
III. net HUF 75,000
+ Five diplomas

The original works of the winners will be retained!

7.) Entries will be viewable at www.axial.hu .

8.) AXIÁL Ltd. wishes to use the entries in communication materials (in-house and other) for free of charge. These materials (e.g.: adverts, company publications, calendars, T-shirt prints, exhibition stalls, company events) will indicate the name of the cartoonist.

9.) Entries received by post will not be returned.

10.) By entering the contest the participant accepts the terms of the contest.

11.) For information or enquiries about the contest contact:
Phone: +36 20 426 58 82
e-mail: grafikuskelemen@gmail.com


Good luck to all participants!


WORLD CARTOONISTS…

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30 AGUSTOS ZAFER BAYRAMINIZ KUTLU OLSUN
ERDOGAN KARAYEL

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TURKISH CARTOONIST SERDAR GILKAL
HAS PASSED AWAY…

BURSALI CIZER ARKADASIMIZ SERDAR GILKAL’I KAYBETTIK.
AILESININ VE YAKINLARININ ACISINI PAYLASIYORUZ.
CAMIAMIZ ICIN DE BÜYÜK KAYIP…
BIRBIRI ARDINA YITIRDIGIMIZ CIZGI INSANLARI..
CIZGILERI VE ANILARI ÖNÜNDE SAYGIYLA EGILIYORUZ..

ERDOGAN KARAYEL

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"CAFER ZORLU" PORTRAIT
ERDOGAN KARAYEL


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http://salaodehumor.piracicaba.sp.gov.br/humor/

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"CAFER ZORLU" PORTRAIT
ERDOGAN KARAYEL

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"CAFER ZORLU" PORTRAIT
SAADET DEMIR YALCIN


THE RESULTS OF THE INTERNATIONAL BEGGAR CARTOON CONTEST 2012

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A. CARTOON:
FIRST PRIZE:
BELGIUM–SUNNERBERG CONSTANTIN COST

SECOND PRIZE:
SPAIN–DAVID VELA

THIRD PRIZE:
RUSSIA–MIKHAIL ZLATKOVSKY

Five SPECIAL PRIZE:
ROMANIA–MIHAI IGNAT
UKRAINE–YURIY KOSOBUKIN
CZECH–DAVID EVZEN
POLAND–MARCIN BONDAROWICZ
CHINA–LI JINGSHAN 李景山

B. CARICATURE:
THE BEST CARICATURE PRIZE:
IRAN–NASRIN ABDOSHEYKHI

Three SPECIAL PRIZES:
COLOMBIA–RAUL ALFONSO GRISALES
IRAN–SALAM MOHAMMADI
IRAN–YUOSOF ALIMOHAMADI

OTHER PRIZES:
http://www.redmanart.com/en/bencandy.php?fid=6&id=452

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KARRY CARRION

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DARKO DRLJEVIC

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"CAFER ZORLU" PORTRAIT
MARIAN AVRAMESCU

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"CAFER ZORLU" PORTRAIT
FIRUZ KUTAL

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"CAFER ZORLU" PORTRAIT
EMRE YILMAZ

2nd International contest of cartoon “Fun in Vassylivka style”/Ukraine 2012


2nd International contest of cartoon "Fun in Vassylivka style"/Ukraine 2012


We declare new International competition of visual humour "Fun in Vassylivka style". Held competition
for development and support of cartoon, humour and satire in the genre of small graphic arts, strengthening
of creative and professional international contacts, popularizations of local and other brands too.


Also to the exposure and support of young cartoonists.

Main theme: «Castle». Ancient, old, new, ultranew castles


1 prize – gold medal + diploma
2 prize – silver medal + diploma
3 prize – bronze medal + diploma

Another theme: «Rest and entertainment»


1 prize – gold medal + diploma
2 prize – silver medal + diploma
3 prize – bronze medal + diploma

The terms of work of the contest:
Start sending – from 1 june, 2012 – to 15 August, 2012

Juri work: from 25 August, 2012

The choice of prize works of judge and organizational committee of competition reserve,
in obedience to position about a competition. Opening of exhibition and awarding ceremony –
from Septembers, 2 – for October, 15 in 2012

Conditions and rules

1. The competition is open, in contest can take part both professional artists and amateurs.
2. On a competition is accepted only author original works.
3. Works, sent an e-mail, are examined ( .jpg, 300 dpi ).
4. Technique of execution – any.
5. The amount of works is unreserved, minimum 2 works from every theme.
6. The works sent on a competition remain in collection of organizational committee of competition.
7. The inquiry of participant must be filled in a letter of seal by English, Russian or Ukrainian.
( the form of participant is added ).
8. The works sent on a competition can be exhibited in show-rooms of Vassylivka, other museums, galleries,
in decision of organizers and also can be placed on the site of museum.
9. Organizators must write name, surname author, his contry on all works.
10. Copyrights on image, names and texts of works, belong to the author, they do not change.
An author carries responsibility for the works in obedience to the current legislation of Ukraine.
11. Pictures which were the before recipients of an award on other competitions, sending is possible, but with
an obligatory mark, where and when they were the recipients of an award. The fact of participating means
in a competition, that participant accept all terms of competition.

Special conditions


1. On opening of exhibition and ceremony of rewarding of winners can arrive all persons interested,
before that warning the organizers of competition. For passage and dwelling they bear expenses.
2. As a result of competition "Fun in Vassylivka style" there will be given out catalogue. All authors,
whose works, will enter in a catalogue after the conclusions of judge, will get the free catalogue
of competition by mail.
3. Organizers and sponsors of competition can enter a few special prizes after receipt all works on a competition.

Аdress: International contest of cartoon «Fun in Vassylivka style»
Tchekist str. 7/96
Vassylivka city, Zaporozhye reg.
71600 Ukraine
Web-page: vasarthumor.at.ua
e-mail: vasarthumor@mail.ua


DUBA Cartoon – International Exhibition of Graphic Humor 2012

DUBA Cartoon – International Exhibition of Graphic Humor

Participation:
The exhibition is open to artists, illustrators and graphic designers, or anyone who wishes to participate. The exhibition is open to artists, Illustrators and graphic designers, or anyone who wishes to Participate.
Participation is upload a jpg image, no more than 2 MB, 300 dpi, the artwork that wish to register, page http://dubacartoon.wspala.org, ensuring complete the required fields on the form registration. Participation is upload a jpg image, no more than 2 MB, 300 dpi, the artwork That wish to register, page http://dubacartoon.wspala.org, Ensuring complete the required fields on the registration form.
Works Participants must comply with the specifications described in this regulation. Participants Must Comply Works With The Specifications Described In This regulation.
Each author can participate with a maximum of 3 works. Each author can Participate With A maximum of 3 works.
All entries are individual, no group will be accepted. All entries are individual, no group will be accepted.
Specifications of the selected works: Specifications of the work Involved:
The theme of all the works should be the Universal Declaration on Animal Welfare (UDAW).
The works must be comedians (drawing humor or cartoon) without any text, not to limit the understanding and interpretation of them by language. The works must-be comedians (humorous drawing or cartoon) without any text, not to limit the interpretation of Understanding and Them by language. The works include texts will be disqualified. The works include texts will be Disqualified.
The works may be made in any technique, and should be owned and authorship of the registered participant. The works may be made in Any technique, and Should Be owned and authorship of the registered participant. The films are published or displayed as long as the author has full right to use them. The films are published or as long as Displayed the author has full right to use Them.
Deadline:
The deadline for acceptance of entries is September 1, 2012.
Jury:
The selection of works made by a jury appointed by WSPA. The selection of works made by a jury appointed by WSPA. The decision of the judges is final. The decision of the Judges is final.
Selection:
Forty works will be selected by the jury for a printed catalog and digital support representing the Universal Declaration on Animal Welfare. Forty works will be selected by the jury for a printed catalog and digital support the Universal Declaration on Representing Animal Welfare. This catalog will be distributed through our Web site and social networks (Facebook, Twitter). This catalog will be Distributed Through our Web site and social networks (Facebook, Twitter).
The selected authors will receive a physical copy of the exhibition catalog. The selected authors will Receive a physical copy of the exhibition catalog. The digital version will be available free for download on the website http://www.wspa-latinoamerica.org/ for other participants and stakeholders. The digital version will be available free for download on the website http://www.wspa-latinoamerica.org/ for Other Participants and stakeholders.
Notification:
The selection of works will be published in the pages and http://www.facebook.com/WSPAlatam http://dubacartoon.wspala.org. The selection of works will be published in the pages http://dubacartoon.wspala.org and http://www.facebook.com/WSPAlatam. Winners will be notified via e-mail the result of selection, and the date of publication of the catalog. Winners will be Notified by e-mail the result of selection, and the date of publication of the catalog.
Copyright:
WSPA assumed that all registered works are original and property of the participant, owner of the rights on them. Assumed That All registered WSPA works are the original and property of the participant, owner of the rights on Them. WSPA can not be blamed for copyright violation by the participants. WSPA can not be Blamed for copyright violation by the Participant.
Participants grant the rights of publication of the works to WSPA. Participants grant the rights of publication of the works to WSPA.
WSPA reserves the right to distribute the work in print and / or digital campaign to support the Universal Declaration on Animal Welfare, with due credit to its author. WSPA reserves the right to distribute the work in print and / or digital campaign to support the Universal Declaration on Animal Welfare, With STI due credit to author.
Using the participant’s personal data: Using the participant’s personnel data:
Participants agree to the use of their name, nacioinalidad, and the title and features the works for advertising and other purposes, limited to the issue of the Universal Declaration on Animal Welfare, without compensation, as long as permitted by law . Participants agree to the use of Their name, nacioinalidad, and the title and features the works for advertising and other Purposes, limited to the issue of the Universal Declaration on Animal Welfare, without compensation, as long as permitted by law.
Participation in the Festival implies full acceptance of this Regulation. Participation in the Festival full Implies Acceptance of This Regulation.


What is the Universal Declaration on Animal Welfare? What is the Universal Declaration on Animal Welfare?