BENJAMIN HEINE-BELGIUM

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Zionism

By Serendipity.li (Peter Meyer)

Zionism represents itself as a political movement concerned principally with the establishment of a state in Palestine to be controlled by and for Jews. It began in the late 19th Century and attained its stated objective with the creation in 1948 of the state of Israel by the United Nations (at the insistence of the United States and without the agreement of existing Middle Eastern states). Subsequently Israel doubled the amount of territory it controlled by means of its illegal occupation of the West Bank in the 1967 and 1973 wars.
In its current form Zionism seeks to dominate all of Palestine and the Middle East by means of violence and the threat of violence (using weapons manufactured and purchased with billions of dollars of “aid” supplied by the United States at taxpayer expense) and to maximize its influence in world affairs and in world history, principally by means of control of the government of the USA (primarily by blackmailing its many corrupt politicians), at the expense of the social wellbeing not only of the Palestinians but of the peoples of all lands.
Zionists claim that Jews have the right to possess all land between the Nile and the Euphrates because (they say) this land was given to them by some entity they call “YHWH” as claimed in the Old Testament (Genesis 15:18). But this would not be the first time that documents written by humans were used to justify land grabs.

Zionists also lay claim to Palestine because this was territory controlled by two Jewish mini-states, Judah and Samaria, until their destruction by the Romans in the 1st C. CE. To which may be replied: If Zionist claims to a Jewish “homeland” in Palestine, based on Jewish occupation of that area 2000 years ago, are accepted as valid then the claims of North American Indians to their former homeland (all of the United States) and the claims of Australian Aborigines to their former homeland (all of Australia) should also be accepted as valid, and those homelands returned.
Not to mention the descendants of the inhabitants of countless mini-states which have risen and fallen over the course of thousands of years of human history. Jews have no more rights than anyone else.
Zionists are not content with having acquired a state of their own in Palestine, they also want this state to be for-Jews-only, thus the desire and intention to expel from Israeli-controlled territory all the indigenous inhabitants.
The idea of transfer had accompanied the Zionist movement from its very beginnings, first appearing in Theodore Herzl’s diary. In practice, the Zionists began executing a mini-transfer from the time they began purchasing the land and evacuating the Arab tenants…. “Disappearing” the Arabs lay at the heart of the Zionist dream, and was also a necessary condition of its existence….
The Palestinians, being Arabs, are Semites. By their open contempt for, and racist persecution of the Palestinians, the Israelis show that it is they who are the real anti-Semites, and their accusations of anti-Semitism (and the accusations of their American and European coreligionists) cast at all who criticise Jews or Israel amount to no more than blatant hypocrisy.

 

“WORLD CARTOON” POLL.. “DÜNYA KARIKATÜRÜ” ANKETI…

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  (TÜRKISH/ENGLISH)

QRDE/POLAND


1) World Cartoon
, especially when we are thinking on “subject with humor” have a stoppage. Almost without any researches we are working on a very first idea that comes to our mind. The result of this ends with similar cartoons. Do you think, we need to solve this problem? What can be done?
Answer: Maybe the subjects are too broad. For example, the topic “city issues” is definitely one of them. A more specific subject could be better for a competition. As for similarities I think they are not something you can eliminate, and they are not always caused by plagiarism.

2) According to us, one of the biggest responsible of frequently appearance of ”similar” cartoons is jurors of the contests. In particular the jurors who do not use the Internet as a medium votes for similar cartoons. We have a suggestion to prevent similarities on cartoons: Just to exhibit all submissions posted for contest in a digital gallery on the web site of the arrangers. This can maintain a healthy result for the final cartoons. ”Don Quichotte” has already lunched this method for a while ago. Do you have any different suggestions about this?
Answer: I liked this idea, but personally, I hardly ever can dig through all of the cartoons to see all the names or all works.

3) What is your opinion on ”Censorship in Cartoon?” Should a cartoon be restrictions on it? If yes, what is the borders of this?
Answer: I think there can be no restrictions on artistic activity, and censorship can never lead to anything creative. I believe every artist has their own conscience, which can help them judge what to do in order not to offend people if it is not the goal of their work. Maybe it should be somehow made clear to all participants in global cartoon collections, that there are religions which forbid depictions of people and animals, to avoid misunderstandings.

4) Also at recent periods we find more technically perfect cartoons, almost close to ”illustration” in definition and it seems they concern more plastic art which replace the traditionally cartooning with simple lines. It is a reality that there exists cartoonists/artists who produce on this track and who be very successful too. Our concern is mostly on that the priority of humor -the gag or the idea if you wish- stays in background. As it is known, the cartoon in definition is an expression with ”least and original” lines. Do you think so you too?
Answer: It is difficult to answer, because in my language (Polish) there is nothing like “cartoons” (although we used to, and still have, great cartoonists!) – we have terms for either illustrations, comics or satirical drawings. I think cartoons can be elaborate, and still function within sharp, immediately grabbing humour.

5) What kind of structures the cartoonists need to act in solidarity, organized as a whole against lawsuits? We need your alternative suggestions in order to create more strong cartoon unity, shoulder to shoulder, which will work internationally. Do you have any suggestions?
Answer: I think visual artists should form unions to organize for common goals. The example of film artists organizing into trade unions (e.g. script writers in USA) shows that organized communities of artists can be no less successful than labour unions. However, I believe that such organizations should be unhierarchic and should base on common and equal debates among artists.

 

ANSWERS/YANITLAR: 

ANTONIO ANTUNAS
QRDE/POLAND

VLADIMIR KHAKHANOV
KÜRSAT ZAMAN
DEREK EASTERBY
TOMMY THOMDEAN
JOHN GREEN
MELLO
MOHAMED ALAFIA
BURAK ERGÝN
BORIS ERENBURG
HÜSEYIN ALPARSLAN
SAIRAM AKUNDI
ASIF AHMED
ERAY ÖZBEK
SEYRAN CAFERLÝ
MENEKÞE ÇAM
MARLENE POHLE
CARLOS BRITO
UGO SAJINI
MARCELO RAMPAZZO
DEREK EASTERBY
DANIEL LOTERO
EMRAH ARIKAN
BENJAMIN HEINE
MEHMET TURAL
TED RALL
MARIO SUGHI
TUFAN SELCUK
DIEGO JORDAN PEREIRA
PETER NIEUWENDIJK
DARKO DRLJEVIC
BERNARD BOUTON
PETRA HANZAK
http://files.donquichotte.org/cartoonpool.rtf

 

BENJAMIN HEINE/BELGIUM

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Email Spam Harmful to Environment

Spam emails are a nuisance, clogging up inboxes and cluttering accounts, but a new report says the unwanted messages can also be damaging to the environment.
The report by security technology company McAfee Inc. says researchers found the amount of energy used to transmit, process and filter spam emails totals 22 billion kilowatt hours annually.
“We are raising environmental awareness in different ways,” said David Marcus, the security research and communication director for McAfee Avert Labs.
He said the report shows the yearly environmental impact from spam emails adds up to a person driving around the world 1.6 million times.
The emission associated with a single spam message is only a meagre 0.3 grams of carbon dioxide, but multiplied, Marcus said the impact is severe.
“You may think that’s fluff, that’s a dinky amount, but when you take a look at 2008 and you realize there was 62 trillion email messages that were spam, that actually adds up to an awful lot of carbon. I think it’s actually the same amount of power that would power 3.1 million homes.”
Marcus said 80 per cent of the energy expended comes from users deleting the spam from their inboxes.
Good filtering technology prevents junk messages from ever ending up in inboxes, saving massive amounts of energy and much frustration, according to McAfee, which is known for its anti-spam and anti-virus products.
However, Marcus said the study hasn’t compared the research to the general energy consumed through other Internet uses such as web surfing.
“Believe it or not, regular email consumes more energy and creates more carbon emissions than spam email,” he said.
“But take into account that rough estimates put most email traffic at 80 to 85 per cent of spam anyway, so the vast majority of email traffic out there is spam.”

TAKSÝM SAHNESÝ “KÖFTECÝ DÜKKANI” OLDU… ADI DA “SAHNE KÖFTE”…

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(PHOTOSHOP: E.KARAYEL)

Devlet Tiyatrolarý Taksim Sahnesi sezon baþlamadan kapatýlmýþtý.
Mal sahibi alýþveriþ merkezi açacaðýný, içinde tiyatro da olacaðýný söylemiþti,
Öyle olmadý, tiyatro binasýna köfteci açýldý.

Adý da: Sahne Köfte

 

http://www.taraf.com.tr/haber/4894.htm

Kenan SÝNANOÐLU
 
– Taksim Sahnesi köfteci oluverdi –
 
KURU köfteci
KURULmuþ o sahneye
Kalýcý KURUm . . .

 

15th INTERNATIONAL ANTIWAR CARTOON SALON-KRAGUJEVAC 2009

15th INTERNATIONAL ANTIWAR CARTOON SALON-KRAGUJEVAC 2009
 
 
            The International jury will select 100 of submitted cartoons which are to be exhibited, published in the Salon’s catalogue of artworks, and award the following prices:
 
 
            – The Grand Prix -The Peace Messenger-
               awarded by the International Association of Peace Messenger Cities
               and 1.500 euros prize money
            – The Gold Plague and 1.000 euros prize money
            – The Silver Plague and 800 euros prize money
            – The Bronze Plague and 500 euros prize money
            – The Mayor of Bydgoszc (Poland) Award amounts  750 euros
            – The City of Ingolstadt (Germany) Award amounts 500 euros
            – The City of Bielsko-Biala (Poland) Award amounts 500 euros
            – The City of Surenes (France) Award amounts 500 euros
            – The City of Pitesti (Romania) Award amounts 500 euros
            – The City of Carrara (Italy) Award amounts 500 euros
            – Up to 10 (ten) Diplomas of the Saloon
 
            Each of the artists of the chosen cartoons will be given the Salon’s catalogue.         
 
            The award ceremony and the exhibition opening is to be organized on October 20, 2009 at the Gallery of the National Museum in Kragujevac.
 
THE 15th SALON EXHIBITION IS ALSO TO BE ON DISPLAY
AT THE UNITED NATIONS IN NEW YORK
IN THE PERIOD FROM THE 9th TO THE 20th OF NOVEMBER, 2009.
 
            According to the already agreed dates, the Salon’s exhibition is to be organized in the cities that are giving away the awards, and also in other cities both in Serbia and world wide.
 
            Cartoonists and fine artists from all over the world have the right to participate. They should submit at most three (3) original cartoons, which have not been awarded by any other international competition, on the subjects of antiwar as well as solidarity between people and nations. The artworks should be utmost A3 formatted, while art technique is at the artist’s choice. They should be properly packed in order to be protected from damage, whereas on the back of the artwork data on the artist should be written (such as: name, surname, address, telephone/fax, e-mail).
The cartoons are to be sent to the following address:
 
SALON ANTIRATNE KARIKATURE,
Trg Slobode 3,
34000 Kragujevac, Serbia.
 
 
            Submitted artworks are not to be returned, they remain in the Salon’s collection.
 
            The submission deadline is September 10, 2009.
            The jury session is to be held on September 11 and 12, 2009.
 
 
Director of the Salon
Miodrag Stojilovic
E-mail: mstojilovic@kg.org.rs